Friday, June 19, 2015

Grammy winning Indian artist Ricky Kej shares his views on the indie scene

One of my life goals is to win a Grammy for my country (someday!) , so you can imagine my excitement when I read about India's big win at the 57th Grammy awards by an indie artist ."Winds of Samsara" by Bangalore based indie composer Ricky Kej and South African flautist Wouter Kellerman won the Grammy award for the 'Best New Age Album '. For someone who's not an Indian classical musician and is not working in Bollywood to have achieved this feat is HUGE! I had to talk to this guy ! I managed to get a phone interview with Ricky to get his insights and advice to other indie musicians on the scene. We talked about the indie scene, copyrighting music, how Bollywood is dominating the Indian scene, distributing music and more.Read on...

Ricky Kej and Wouter Kellerman -Grammy winners for Best New Age Album "Winds of Samsara" 

Me: Congratulations on your win Ricky! It's a proud moment for India.What were some memorable moments at the Grammies?Any behind the scenes stuff you'd like to share?
Ricky: Thank you. It was very memorable and exciting as you can imagine. The first person who congratulated me backstage was Hans Zimmer.There were a lot of famous people Katy Perry, Sam Smith, Beyonce & Jay-Z that I saw in the audience. You can check out the Grammy acceptance speech on YouTube(below).



                         Ricky Kej and Wouter Kellerman - Grammy acceptance speech and reaction

Me: That's Fantastic! So tell us a little about how you started your music career and some highlights along the way..
Ricky: I would be a part of bands in college . After college I started making jingles for commercials and for the radio. I realised when I started creating my own music that to keep it undiluted (from Bollywood influences) I needed to look for audiences outside India. My music is predominantly Indian and I work with musicians here but my audiences are outside India.I travelled extensively to foreign countries to find my audiences. I would attend music conferences, music concerts, meet other musicians, record labels, distributors.I would find artists that have a similar sound to mine and see how to reach out to their audiences. The last 7-8 years I have found lot of success doing that.

Me:  So how did you meet your collaborator Wouter ?Was it on one of your travels?
Dream Team- Ricky and Wouter
Ricky: I had seen Wouter performing at the FIFA closing ceremony in Africa where he played with Shakira. I was a big fan of his work. He had also heard my album "Mesmerising Flute" before and liked my work. We met in L.A. and discussed working together. I had written a song about Gandhi and he had written about Mandela. We worked on each others songs , he adding flute parts to my song 'The Mahatma' and I added Indian parts to his music and we created "Winds of Samsara" together.

Me: So Winds of Samsara was an independent album.How did you release worldwide? Was there any indie label involved?
Ricky: The album was an Indian release but it was distributed all over the world. We had separate distributors in America ,Europe , India & Australia . Although it's an indie release , we tied up with a lot of partners and distributors from  across the world. We were on Billboard for the top 12 weeks and one of the highest selling New Age Albums in America .We were also the highest played album on radio in America ( #1 on world radio charts for a month)

Me:  Thats quite an achievement. So how do you get your songs to play on radios abroad? Do you have to actively promote it or does it get picked up by the radios?
Ricky: We contacted radio stations with our CD's directly and they liked the music and played it. It's all about people listening to it on the radio, liking it and purchasing it. At the end of the day, without having a good album and music nothing can come out of only marketing.We put our hearts and souls into our music, spent two years making it , travelled all over the world & collaborated with more than 120 musicians on the album. It was a very uncompromised approach to making music as an art.We made sure that it was exactly the vision we had in mind. Since it was an independent album you're not answerable to anybody but yourself.

Me: You mentioned earlier that the album was made was according to your vision. What was that vision ?
Ricky: I wanted to make music from the heart. 99% of the music that sells in India is music for Bollywood. It's almost like an assembly line way of producing music where the music director describes what he wants ,the lyrics writer comes in and then the programmer, playback singer etc add their parts. It's not any one persons vision. If it's not music that comes from the heart it can be very popular music but it is also music that is forgotten easily.  Ultimately even though Bollywood music is highly downloaded , the music caters to only the Indian diaspora abroad and is unable to cater to the Western audience.There are very few Indians who break that cultural barrier. Pt. Ravi Shankar  for example decided he doesn't want to live in India anymore and Anoushka Shankar who reached out to audiences who are non-Indian in origin. She doesn't live here too because anything non-Bollywood doesn't work in India..for many reasons..the major reason being radio and television will not play her music even though she has an audience here.

Me: Don't you think however that the Indie scene is changing in our country, with channels such as MTV Indies and VH1 airing indie songs and platforms such as OKlisten and ArtistsAloud distributing independent music?
Ricky: I disagree. The scene is getting worse. In the early 2000's a lot of Indie musicians were coming out like Adnan Sami, Shaan and Agnee and their videos would play on TV. Now you hardly see anybody and if you do people ask "Who is this person"?
Right now the industry here has reached a stage where if you're a composer the first question that somebody asks you is "Which films have you composed for ?" and if you're a singer then it's "Which films have you sung playback for?" Everything is associated with the film industry.We have music awards and 90% of them are film awards. People want to see Bollywood celebrities in the audience else T.V. channels don't pick up shows for airtime. Awards ceremonies in the USA(Grammy) Canada(JUNO),South Africa (SAWA) and others are based entirely on the music.There are only a sprinkling of movie stars in the audience. A country like America ..their whole history is chronicled through music .When Adele and Sam Smith broke up with their boyfriends they wrote albums about it..these are real things that people connect with.
I definitely didn't want to go the Bollywood route because if I make one song thats a hit I don't want people to associate that with who I am as a personality.

Me: You haven't composed for Bollywood but you have composed for a few Kannada films and released music with Universal. Did you have to compromise on your style of making music for any of these ventures?
Ricky : I released some albums with EMI . The head of EMI at the time Suresh, already liked my music a lot so he asked me to compose pieces that were based on the music I was already making . I made about 21-30 songs for them and they didn't request for any changes when I gave them the masters. They would only change the titles of some of the songs and the song order according to how they wanted to market it.That was ok with me as they are the experts in marketing and my music was untouched.All three Kannada films I did were with a very visionary director who I enjoyed working with and who let me retain my musical style.

Me: There's a big debate amongst independent musicians on whether to stay indie (given the resources we have at our disposal today) or associate with a label. What's been your experience with both?
Ricky: It's very important to remain an independent musician nowadays. You have to own the rights to your own music. In the case of EMI, they gave me a production fee to create the album and a percentage of the sales. The EMI head had a vision to look outside Bollywood. I also did work for Universal in USA and so was not a newcomer. EMI contacted me because I was already established in the instrumental music industry

Me: Most of the music channels like Vh1 are playing pop and other mainstream stuff..Where do other genres like New Age ,Metal,Jazz etc get heard by consumers?
Ricky: Consumers that are into other genres of music know exactly where to look for that kind of music. Be it Metal, Jazz, World music there are specific radio stations, cable networks and channels that will play these genres of music in America and the consumers will know where to find it. These are niche genres and consumers know that they won't find it on network television. In India we don't have these channels yet. The only option here is Itunes.

Me: Where can Indians discover music from niche genres such as yours to listen to? Online radios? Itunes channels?
Ricky: Social media is the best bet. In America, it's on radio. In India there are no dedicated radio stations that play anything other than film industry music, so discovery is almost impossible here.

Me: In India, many indie musicians are now looking at making music a full time career.What are some ways to make it a sustainable career choice?
Ricky:  If you're an indie musician it's important to have perseverance and patience. I think it's very important NOT to have a day job .If you do you're not being faithful to either of your professions . You'll never have enough time to do your music, you never have enough time to network.You need time to rehearse, meet other musicians and collaborate. Having a day job is a major handicap and your music career will never be successful.

Me: I think the main problem people have leaving their day jobs for music is assurance of a basic salary to meet living expenses..where will the money come from?
Ricky: There are sacrifices you have to make. It depends on how badly you want to make it in your career. There will be times when you will have no money at all. If you've not started a family yet, sometimes even that needs to be sacrificed.You have to see what is more important to you and what you are more driven about. Drive and discipline are extremely important for a musician. An engineer studies for 4 years and then gets a job ; a musician expects to start making money the next day! Thats not going to happen.You need to have a music education, start off with low paying gigs, move up the ladder,then as you get famous you make more money.
At the end of the day a lot of people use creativity as an excuse for laziness.You have to be far more disciplined than you would ever be in a day job.
I've been doing this for 16 years. I studied dentistry but decided to do music. Imagine if I had left after 4 years saying nothing is happening... I would have never won a Grammy.

Me: A musicians life is full of highs and lows. What motivated you through life's lows?
Ricky: I would write music about it. I would use even those moments to keep making music.

Me: Some independent artists were approached by a music company in Mumbai to sell them their songs. What do you think about an artist selling their songs to other people (Bollywood/other composers)?
Ricky: You can make songs for other people but the intellectual property rights for those will always be yours. It's illegal for someone to pay you X amount of money for your songs and own the intellectual property rights.There is a law passed in India against that. You can sue the company if it specifies in the contract that they will own the IPR of the song.

Me: That's a very informative tip for a lot of indie musicians. How did you copyright your music to protect it?
Ricky: You  don't need to copyright your music , you need to register your songs with IPRS in India   ( http://www.iprs.org/cms/). I registered my songs with an organization called BMI ( http://www.bmi.com/) in the US (for US citizens only). It's completely free of cost.Whenever people put it on Radio,TV, or use the song online BMI collects the money on the artists behalf. When I signed up with them , the very next day they were collecting money from the last 10 years for my music

Me:  What are some ways more Indian musicians can get their music heard globally?
Ricky: You have to travel to meet people, collaborators and other musicians in different countries.You also have to use social media. I may be completely wrong but it's next to impossible to make a living as an independent musician in India.You can live here and make your music here but you should get revenues from outside India. India is still not the best environment for an independent musician because sales are really dismal in India due to it's focus on Bollywood.Piracy is also very high here.If I'm speaking to someone about my album in a foreign country, they would preview it on Itunes and then buy it. Here people ask me "Could you share the Mp3's with me on my pendrive?" No one looks at music here as a commodity they have to pay for.  Bollywood doesn't care about piracy because music for them is a means of marketing their movie; their profits come from ticket sales and not as much from music sales.As a result there is a culture around free content being available online for download . Ultimately this affects the income of independent artists as well.

Me: Should people even make physical albums anymore or just sell their music digitally?Are albums on their way out?
Ricky: Physical albums will always be important. It's a very easy way to purchase music if people are in a store or to give your music to a promoter.It's also something you can touch, feel and gift wrap as a present to someone. Digital is the future. As houses will become smaller, having a CD collection will be a hassle.


Me: Where do you think the music scene in India is headed?
Ricky:  It's headed more towards the film industry. There will always be bursts of independent movements in India but the movie industry is here to stay.


Me: Whats your advice to independent musicians from India that would like to follow their passion ?
Ricky: Look outwards. They will have to make it big in other countries. India is not the place to be for independent music. If you want to be an independent musician here you will have to be a part of the movie industry. You have to be extremely perseverant, find mentors in the industry and truly believe in your music to succeed as an independent artist.


Me:What are your future plans?
Ricky: I've received validation for my kind of music and I am going to continue to make it to whoever wants to listen to it..in India or abroad. If India wants to listen to it I would be thrilled because everybody wants recognition in their own country. I have a fan following in China, Austrailia and the USA so I'm happy to keep catering to them too.

Me: Thank you Ricky for your insights and for inspiring a lot of indie musicians to dream big.
Ricky: Thank you!


I hope this interview helped you with some insights into the music industry and the Indian music scene. If you have any questions do type them in the comments section below. We would be happy to answer them! Do share the article with any musician friends you know. Knowledge is power.

P.s. Oh and if you liked the blog could you follow it please :) Ok bye!

Wednesday, March 25, 2015

The Manchester United Cup Song

What do you do when you're home alone with a take-out container before the Manchester United Liverpool match? Make a song of course! ;)
This is a tribute song to my favourite football team Manchester United and all the Manchester United fans across the world. Don't miss the bloopers at the end of the video;)
I  re-wrote my own lyrics to Anna Kendrick's "The Cup song"  as a tribute to my favourite team.


Sing along with the lyrics below:

We've got our ticket for the top of the league,
Chelsea can be on their way,
We've got a super team & we've got Van Haal's dream,
We're gonna get him his first trophy what'd you say

Chorus: We're going strong, we're going strong,
The whole world is cheering on,
We've got Adnan doing his best,
Persie , Rooney and the rest,
Hey!I can't name you all in this song

We got the devil and an Angel by our side,
He's the best buy of the season,
We beat the Spurs 3-0, we're celebrating our heros,
Soon the cup will be another reason..

We're going strong, we're going strong,
The whole world is cheering on,
We've got Mata doing his best,
Persie , Rooney and the rest,
Hey!I can't name you all in this song

We're going strong, we're going strong,
The whole world is cheering on,
We've got Falcao doing his best,
Persie , Rooney and the rest,
There ain't much that can go wrong..

Enjoy the song and do post your comments on what you think of it.Cheerio!

Sunday, March 22, 2015

The 6 Best Grammy 2015 Performances that you must watch

The Grammies 2015 just happened! Yaay! The biggest musical awards night that celebrates great talent across the globe. To summarize, Taylor Swift didn’t win anything, Sam Smith ruled the Grammies with the most wins, Kanye almost interrupted Becks “Album of the Year” win but luckily changed his mind , there were some awesome performances and some very socially relevant acceptance speeches.
We also had 2 winners from India..double Yaay! Ricky Kej (and Wouter Kellerman) won Best New Age Album for “Winds of Samsara” and Neela Vaswaani for “I am Malala” the audio book.
For those of you that missed watching, I’ve picked out my favourite 6 performances of the night you must not miss! Read on.


1>       ACDC (“Rock or Bust” , “Highway to Hell”)
The opening act at the Grammies showed us that no matter how old you get some music can never age! ACDC opened the night with an explosive performance of “Rock or Bust” ,followed by their evergreen hit “Highway to Hell” that had Katy Perry ,Lady Gaga and others nodding along in sync with Angus Young’s guitar. What a great start to the Grammies! I’m an ACDC fan and was singing along with wild abandon as I watched them on TV. It’s so refreshing to listen to some good rock music in recent times because bands aren’t really doing that kind of music anymore.  If you’re a fan of classic rock like I am, you’ll love this. Check out ACDC’s performance above ..you’ll be blown away.
     


2>  Lady Gaga and Tony Bennett (“Cheek to Cheek”)
  Many of us haven’t heard Lady Gaga’s “real    voice”..because of the heavily processed dance  music that overpowers her vocals most of the time.  I assure you that when you do get the opportunity  to "really hear her sing", you’ll be  pleasantly  surprised. The lady has an amazing set  of pipes!  At the Grammies, she sang “Cheek to  Cheek” , a  beautiful jazzy duet with Tony  Bennett (which  won them a Grammy for the 'Best Traditional Pop  Vocal Performance') . Her voice was smoother  than a glass of premium scotch.  Before  critics/haters start writing this off as a one - off  performance, she proved her mettle again at the  Oscars with her tribute to the evergreen Sound of    Music soundtrack, that had even Julie Andrews in  tears. Lady Gaga, you never cease to amaze us.
 Watch the performance the crowd wouldn’t stop    going “gaga” about !



3>  Miranda Lambert (“Little Red Wagon”)
 I’ve never considered myself much of a country music loving person but Miranda Lambert’s performance made me reevaluate my opinion. I was glued to the screen till the very end of her performance. Blake Shelton’s wife can sure hold her own on the stage..Her rendition of her song “Little Red Wagon” was brilliant. It came as no surprise after that performance that she took home 2 Grammies that night for Best Country album and Best Country Song as Blake Shelton looked on with pride. Pretty interesting stuff..Gotta start listening to some more country music.






4>  Sam Smith and Mary J Blige (“Stay With Me”)
 There’s something very honest and innocent about   Sam Smith. I liked what he said in his Grammy  acceptance speech ,” I was making terrible music    when I was trying to get people to listen to me..but  it was only when I started being true to myself that  they finally heard”. When you’re true to your art  you create musical pieces that touch the soul. That  is exactly what Sam Smith did with his music  flooring the Grammy jury, taking home the most  coveted Grammy’s of the night for Best new  Artist, Song of the Year, Record of the Year,Best  Pop Vocal Album. His rendition of  “Stay with  Me” with the legendary Mary J Blige was soulful  and honest..just like the man he appears to be.




5>  Sia (“Chandelier”)
After years of writing hit songs for other singers     ( Beyonce, Rihanna, Britney & David Guetta to name a few ) the wonderfully talented Sia is finally getting her due. Unlike most attention seeking artists, Sia is somebody that shies away from the public eye..She prefers to let her music do the talking. 
Kriestan Wig and Maddie Ziglar danced and emoted her song "Chandelier" on stage, while the singer herself faced a wall as she sang; her back turned to the audience.
An unusual but refreshing change.
I think Chandelier is one of Sia's best works..and technically a very challenging song to sing.
Listen to her Grammy performance here.



6>  John Legend and Common(“Glory”)

 There’s a reason his last name is Legend. I hold this man in such high regard. I wish I could be even half as good a musician as John Legend. Not only does he write great songs, but his live performances are incredibly spot on. Maybe it’s because “Glory” has such a  personal significance to him and all that Martin Luther King has fought for that helped him sing with such strong emotion. The fight for equal rights still continues..You could feel the message of hope , the strength of his words and the power of conviction  as he sang. At the Oscars again, Legend had the audience in tears, overwhelmed with emotion. Music can do that to you..Music is a gift..and John Legend must’ve been a good kid because he’s really been truly blessed with an amazing ability to inspire with his voice.

I couldn't find a link to his Grammy performance so I've added a link to the song..It's worth a listen.

Which were your favourite Grammy performances? Let me know in the comments section below:)
     

Thursday, April 18, 2013

5 Musician must-do’s for a kick-ass live gig


5 Musician must-do’s for a kick-ass  live gig
 

Welcome to the generation of the D-I-Y Indie musician, where the person you can depend on the most for getting anything done is yourself. Here are some pointers for an amazing gig with happy audiences , happy venues and a satisfied bandJ


1.    Get a Packed house
One thing every venue will love you for is your ability to bring in a crowd. If it’s your first gig at a new venue this is an important deciding factor for booking your next gig.
Here are some things you(& the venue) must do prior to the gig:
o   Facebook Event: Create a facebook event at least 2 weeks prior to the gig and invite everyone on your list. Post 3 reminders as your status at intervals prior to the gig date. This ensures that people who have missed it the first time see it. Urge your friends & fans to share the event as much as they can.
o   Phone Calls: Personally call your close friends, relatives, die-hard fans,anyone who you would like to invite for the gig. Never underestimate the power of a personalized phone-call. It’s way more effective than facebook and e-mail.
o   E-mail : People might not always follow facebook updates. An e-mail is a sure fire way to get the message across to them. Make sure the subject has all the gig details, as not everyone might open the e-mail and go through all the contents.
o   Press: Get the venue to do a press release or contact the press yourself with dets about the show.

           
After the show, make sure to thank all the people who came for the gig personally.

2.     Give the Audience what they Want
Although some bands are opposed to the idea, initially it’s best to have a  mix of originals & covers in your set list. When the crowd doesn’t know you and they hear something familiar it helps them to build a connection with the band. Your band can always do your own take on the songs and make it sound different from the original. While selecting songs, gauge the venue, the event and the target audience that you’re expecting for the gig.
Sense the mood of the crowd and play your set accordingly. If the audience is  looking disengaged you might want to play one of the faster songs in your set to get their attention or of of your numbers they’re more familiar with.

3. Engage the Audience
Face it ..there’s a little part of everyone that want to be up on the stage singing to a crowd and receiving applause. Why do you think karaoke nights are always such a hit?  Teach the audience a section of the song and make them sing along or clap along. It makes them feel like a more integral part of the experience. Needless to say this always gets the band a huge round of applause after.


4. Have Band merchandise/CD’s Available
Give your fans a reason to remember you after the gig. If you have CD’s ,T-shirts or other merchandise ,make sure you or a friend set up an area near the stage to sell them after the gig. Also make announcements about the same during the gig. Something that I often do after gigs is walk around with a box of my CD’s and ask people if they would like to get one. It also helps you talk to your audience post the gig and make it a more personal experience for them. I sold 2 boxes of CD’s at a festival gig and got a bunch of new FB fans after I went around post the gig with my boxes of Cd’s. I’ve even seen big artists do this at gigs with their own CD’s.
    

5. Announce where people can check you out online
There was this band that played at a hip joint in Delhi and after the set “Thank you folks” was all they said and left the stage.Now when people like your music they want to hear more of you..but you have left them with absolutely no indication of where they can find you.
Make sure that you announce the band name clearly at the beginning and at end of the show & where the audience can find your music on the web (Website/facebook page/mailing list). You could even get your friend to hand out slips of paper to the audience with band info  that would help them remember where to find you guys online post the gig.


 That been said, remember there is no excuse for not practicing before a gig. Practice comes first and the all the rest comes second.                        

Now go kick some ass!


About the author: Pragnya Wakhlu is a singer-songwriter from Delhi & the front woman of the folk-rock band  “Soul Strings”, international all women’s band “White Lilies” and her own band “Pragnya Wakhlu Collective”. She has performed over 250 shows across India and the US. She released her debut album “Journey To the Sun” in 2012 in collaboration with artists across India. (Get it at musicfellas :http://www.oklisten.com/pragnyawakhlu )


To get in touch with Pragnya visit:
Facebook: facebook.com/pragnyawakhlumusic
Twitter  @pragnyawakhlu


Wednesday, July 25, 2012

How to get a censor certificate for your music video in India


When I was trying to get a censor certificate for my music video, I found that there was nobody( including the channels) who knew the actual process  on how to get a censor certificate.Most people would find an agent;pay him 5X times the cash that you actually need to pay and get it done.For a musician that's quite a bit of money.So I went on a mission to get the censor certificate all by myself; called the Delhi censor board and figured out the way it's done..Mission accomplished!!:) I now have my censor certificate and Vh1 is airing my video in August 2012.
I felt this post would help other musicians/bands who are also trying to get one.It's not all that tough as it's made out to be..Read on..
The Censor Certificate for my music video "Rise"

Watch the Video "Rise" above

Checklist of items you need before you apply for a censor certificate

1.       Create a version of your video with a ‘Time Code’ & the text ‘Censor Copy’ at the bottom of the video. This is so that in case there are any cutes the censor board knows at exactly which second the cuts need to be made. This should be the only video on the CD .The Cd needs to be labeled as follows:
a.       Song Titled: <<Fill in Song name here e.g. “Infatuation”>>
b.      Duration : <<Write duration in mm:ss  e.g.  3 min 59 secs>>
c.       Producer: <<Write artist name here if you are financing it yourself e.g.  Dhiraj Raina>>
2.       A demand draft of Rs. 1020/- needs to be made payable to the ‘Pay & Account officer ,Ministry of I&B ,<City you are applying to>’ .The City will change according to the censor office you are applying to. E.g. If I am applying in Delhi the demand draft would be payable to ‘Pay & Account officer ,MInistry of I&B ,New Delhi’ .Get 2 photocopies of this demand draft.
3.       Script/Lyrics : 2 copies of the lyrics of the song exactly in the way the appear in the video.Format of the document should be :
a.       Title : Script/Lyrics for <<Songname>>
b.      Written by : <Lyricist name>>
c.       Lyrics of song
4.       Synopsis: 2 copies of the Synopsis for the song
a.       Title: Synopsis
b.      Reason for Censor Certificate: provide details of which channel needs it
c.       Song details:
·         Name of Song
·         Language
·         Brief description of song & Music video
·         Album
·         Artist
·         Director
·         Asst. Director
·         Agency
·         Director of Photography(DOP)
·         Second camera
·         Producer
·         Production Assist
·         Edited by
5.       Covering Letter addressed to the Regional Officer(See format in example below)
6.       Undertaking on a Rs.100 stamp paper ,notarized by the court. The text for the undertaking is provided on a sheet by the Censor guys.You need to obtain this from their office.The whole notary process including the stamp paper should cost you about Rs. 300-350 bucks & you can get it done from any district court or notary guy.
7.       Buy a cardboard File & label it with the following details:
a.       CBFC ID
b.      Producer Name
c.       Song - <<Songname>>
d.      Duration<<In mm:SS>>
File your documents in this folder
Great !So you have all your documents with you..Now you’re ready to apply for your certificate!


Sample Submittion

                                                               Script/Lyrics
Lyrics : ‘Rise’
Written by : Pragnya Wakhlu

You can’t stop my will , a bird in flight..
Riding through the sleepless night,
Guiding my way, a powerhouse of light..
Not outside but within..
Barriers may come, but they will fall..
I won’t break down, I will stand tall..
Not you or anyone can make me feel small..
I live for my dream..

My time has come to rise..
My time has come to rise..
My time has come to rise..
My time has come to rise..

I see my dream materialize..
Building blocks in front of my eyes..
Steadfast, withstand the wind..
Brave and strong carry on..

My time has come to rise..
My time has come to rise..
My time has come to rise..
My time has come to rise..

No backing down, no losing hope..
Glorious intent and steely strength..
Pessimists we have no room for you..
Our hearts are living the dream..

My time has come to rise..
My time has come to rise..
My time has come to rise..
My time has come to rise..



                                                                      Synopsis
Reason for Censor Certificate: VH1 India would like to screen the music video on the ‘VH1 India Rules’ platform to promote independent musicians in India. For this they require the music video to have a censor certificate.
The details of the Song are as follows:
Name of Song: ‘Rise’
Language: English
Brief description of song & Music video: The song ‘Rise’ is written to inspire people to rise to their true calling. The video depicts the pure spirit (in white) and symbols of growth and prosperity such as rise fields, sunshine and several shots of nature. The song is intended to motivate and inspire people.
Album:  Journey To the Sun
Artist: Pragnya Wakhlu feat. Sanjay Joseph
Director: Prateek Sethi
Asst. Director : Shreya Gulati
Agency:  Trip Creative Services, Mumbai,Maharashtra
Director of Photography(DOP) : Aashith Shetty
Second camera : Dhanya Pilo
Producer : Pragnya Wakhlu
Production Assist: Vijay Ubale
Edited by: Prachi S Shirodkar

  

                                              Covering Letter 

To,
The Regional Officer CBFC ,
New Delhi

Dear Sir,

I am submitting the song titled “Rise” for certification along with the following documents for certification:
1)Demand Draft
2) Script(Lyrics)
3)  Synopsis
4) Undertaking

Kindly certify the film as soon as possible.

Thank you,
Pragnya Wakhlu

Step by Step Process to get a censor certificate

1.       The first thing you have to do is create an ID for yourself on the CBFC website.
a.       Go to the CBFC Website : http://cbfcindia.gov.in/
b.      Click on ‘Register’
c.       Create a username & password for yourself.You will receive a CBFC id
d.      You need to call up the censor board office where you are applying and ask them to activate your ID. If they don’t do it over the phone you need to go there with the printout of the confirmation page and ask them to activate it
2.       Once your id is created and has been activated,visit the CBFC website & log in with your CBFC id & password. You will come to the Home page
3.       Go to the ‘Application Forms’ tab .Select the ‘Fresh’ option from the drop down on the  Form IA: Application for Certification for public exhibition of a VIDEO film produced in India.  Row & click on the ‘Apply’ button.
4.       You will be taken to Form 1-A where you need to fill in the details of the short film(See reference application below for reference)
5.       On the ‘Screening Fee’ Tab  select ‘Yes’ for ‘Whether film to be screened at CBFC.The screening fee takes care of the projector that the CBFC guys hire to review your music video/film.The charge is Rs. 70/-
6.       On the ‘Certification Fee’ tab select ‘NPE” for Whether the film is PE/NPE.The certification fee is Rs. 950/-
7.       The Total payable amount shows on the screen which is Rs. 1020/-.
8.       Go to the ‘No. of DD’s to be added’ dropdown and select ‘1’.A pop up will open where you need to enter the Demand Draft Details.
9.       At the bottom of the Page Click on ‘List of Documents’.Select the following:
a.       9/6 Copies of Script/Commentary
b.      9/6 Copies of Synopsis
c.       Rs. 100 Undertaking on stamp paper
10.   Save the document & Submit.
11.   Once you have submitted you need to take a print out of FORM 1A which you have filled online, & the list of Documents
12.   File all documents in the labeled cardboard file. Check if all the documents below are present:
a.       Covering letter
b.      Synopsis – 2 copies
c.       Lyrics – 2 copies
d.      Form 1-A
e.      Undertaking on Rs. 100 Stamp paper
f.        Demand Draft
g.       Photocopy of Demand Draft
h.      Censor Copy CD of music video with Time Code
13.   Now that the online submission of the documents is complete, you need to physically go and submit the documents to the censor board.
14.   Once this is complete you need to log in & you can keep checking your certification status from the website & which stage your certification is in.
15.   Once it reachs the printing & issuance stage,call the censor board & ask if the certificate is ready to be collected.
16.   IF cuts are to be made they will ask you to make cuts & you need to resubmit the video..but if all’s clear you should receive the certificate within 10 days from the day of submitton! 

  All the best with your music video ! If you like this post do 'Like' my facebook musicians page www.facebook.com/pragnyawakhlumusic